Going with Flo

Ta dah!  A quilt top, finished, for Siblings Together.  I learned a fair bit from this one, I think - not least the differences between what "a 1/4" seam" means on various sewing machines.  In retrospect, a block that required precisely matched seams may not have been a sensible choice.

There are, certainly, a few places on the quilt where four blocks meet in perfect synchronicity:

And there are a few places where it looks more like this:

I will admit, my perfectionist heart sank when I started pinning blocks together, and for nearly a whole row I wrestled with trimming and easing and generally tweaking to try to make everything exactly as I had imagined it.  And then I remembered a very wise lady whom I worked with several years ago.  Her name was Tracey, and when things didn't quite turn out as planned, she was often known to say (in her wonderfully soft, soothing voice) "Go with Flo.  She's a good girl, is Flo, she'll see you right."

So I did, and I'm glad of it.  It's a beautiful quilt top, with all the quirks and individualities of the people who made it.  The pattern still shines out just as I hoped it would, and I think the effect is fresh and friendly.  I am hugely grateful to the very skilled and very generous members of the ST2 bee.  And it has the Moosh seal of approval too.

It's also HUGE - that's it spread out over our super-king sized bed - and I've never quilted anything this big before.  There is every chance that I won't finish it before the Siblings Together retreat...  but if I don't, I can comfort myself that I have at least contributed.  A while back I dug a few finished quilt tops out of the midden of my workroom that I'd completely forgotten about (I KNOW) and asked if anyone would be willing to quilt them up for ST2.  The very wonderful Sue stepped up and has finished all three!

This one was a sort of scrappy, inverted Irish Chain quilt that I put all my most cheerful scraps into and then forgot about.

This one has a ton of Denyse Schmidt Shelburne Falls in it.  I was finally making something for ME, and I painstakingly devised a block, then set it on point, and just as I was finishing up the top I realised that there would've been a vastly easier way of creating the same effect without having to deal with a million bias edges.  I promptly fell utterly out of love with it, despite the fabrics.  Whoops.

And this last one is entirely made of Madrona Road, intended as a showcase for the range back when I briefly dabbled in selling fabric.  I still really love this range.

But more to the point, isn't Sue a hero?!  I got to do the fun bit and then she's made them actually useful!  Three cheers for Sue!  Fingers crossed I can quilt up that beast at the top and we'll make it 4 finished quilts for the retreat.  Wish me luck...

Raining sunshine

Gosh, the responses to that last post have been WONDERFUL!  I now have sixteen blocks on my design wall, waiting to be assembled into a quilt top.  It's my birthday on Tuesday and I think since I have so many blocks already it's the perfect excuse for a whole day of sewing.  Who knows, I may even get it quilted now that I've discovered the joy of spray-basting.  (Did you know?  I did not know.  Spray basting!  It's so quick, and so flat, and so much better for my knees!)

I tried it for the first time on a quilt I've just finished as a commission for a lady called Claire - or rather, for her young daughter.  She'd already bought a beautiful felted mobile of fluffy clouds with falling rainbow raindrops from my very talented friend Peppercorn Crafts, so when she wanted a quilt too, I immediately thought of Dashwood's new Rain or Shine collection designed by Stephanie Thannhauser and raced off to Simply Solids with an excuse to buy it at last.

I think it's worked, don't you?  Nice and simple, to show off those lovely jolly prints.  I mixed in some new mini pearl bracelets and some of my very precious hoarded Aneela Hooey cats from her Hello Petal collection, since I noticed some of the clouds in the Rain or Shine fabrics had text that said "raining cats and dogs" and I knew Claire liked kittens.  What kind of person doesn't like kittens, after all?

I bound it in some navy stripes to keep it from getting too sugary, and may I say I'm getting quite good at this machine binding malarky.  Look at that corner, eh?  A lot better than they used to be!

I found 2 yards of a pretty blue blender called "Stonehenge" at good old Abakhans and decided it looked a bit like a slightly cloudy blue sky, which worked with the theme.  Then I got carried away and added a few squares to the front too, so that I almost didn't leave enough to cover the back...

I love the smiley sunshine and the little rainbows of Rain or Shine, but honestly my favourite fabric in this one is still those little white cats.  This square is my favourite - I always thought "Tiddles" was the traditional cat name, but "Tibbles" is much better.  It makes me think of Tybalt, the King of Cats from Romeo and Juliet.

By the way, I'm calling this quilt "Raining Sunshine" after the theme song of a rather wonderful film called Cloudy with A Chance of Meatballs.  If you haven't seen it, you should.  Trainboy was OBSESSED with that song for months, and remarkably enough I can still stand to listen to it.  Occasionally.

Siblings Together II - my block for June!

Is is really June already?!  Apparently so, and now it's my turn to be "Bee Mama" for the Siblings Together II bee that I'm a member of.  I've been pondering my choice of block for a while, and then I saw a quilt on the Moda freebie quilt patterns which gave me an idea.  (Sadly I've since closed the tab in Chrome and for the life of me I can't find it again - oops)

So, for June's block you will need:

9:  5"x5" squares in shades blue, grey, black and white

2: 2"x 14" strips in red

2: 2"x 16" strips in red

I'd prefer to avoid florals, but plains are fine.  Tonal or blender fabrics are ideal!

First job is to sew the squares into a basic nine-patch, nothing fancy.

Now comes the exciting part - for me, anyway.  I don't get out much.  Measure a line across the top row that is 2.25" above the horizontal seam and... SLICE IT.

Do the same for the bottom row.  Remember, 2.25" from the middle row.  You may notice your detached strips will be about 2.5" wide, which is not a mistake!  It will all even up once sewn.

On your cutting table you will now have something like this:

Add in your first set of red strips and trim up the edges if necessary.  Now you have this:

Time for more slicing!  Place your cuts as before - one along the right-hand row at 2.25" from the vertical seam, and the same along the left-hand row.  Again, your detached strips will be 2.5" wide.

Add in the next set of red strips, which will definitely need a little trim.  My finished blocks ended up 15.75" square, which seems a very odd number but there you have it I suppose.  Feel free to press your seams however you like - entirely your choice.

  

They are quite fun to make.  If my bee-mates could manage one I would be very pleased to receive it, and if any of them could stretch to two, that would be even better.  A 3x4 block quilt would be about 45" x 60" which is plenty big enough for the bee requirements.  And don't they look smashing put together?

Have fun, and if you've any questions, please ask!